Legion del Metal

15/11/11

Avichi



This is the Theosophist concept of hell, which is derived from the Sanskrit for "isolation." Although a place of torment it greatly differs from the ordinary conception of hell, chiefly because those who reside there have no physical bodies with which to satisfy the fleshy desires that they are plagued with.

The Theosophical teaching on which Avichi is based is the conception that people remain the same entity after death as they were before dying. That is, if in life a person was possessed by strong passions and desires then he will retain them in the astral world. The desires then become unsatisfying with a physic body and turn into anguished torments.

The manner of torments seems to be infinite varying from the confirmed sensualist struggling with his desire of the flesh to the ordinary person, while not burden be fleshy desires, who is troubled by the thought that he gave too much attention in his earthly life to worldly affairs rather than focusing on higher goals. This latter person is thus doomed to regret his lack of attention toward higher objectives.

Avich is a place of regrets for things done and left undone in the physical life. Its torments, however, are not eternal, but will gradually subside after timeless durations of anguished torment.




The Divine Tragedy


Tracklist:

1.    Entrance to God (instrumental)
2.    Purification Within the Eighth Sphere
3.    Messianic Deliverance
4.    Phallic Insinuation
5.    Prayer for Release (instrumental)
6.    Taedium Vitae
7.    Aeonic Disintegration (instrumental)
8.    Separation from the Life Principle

h   This is the first release by Avich, and they directly come with a masterpiece, instead of several promotional demos with crappy sound. Avichi is certainly a very promising band, armed with a high intellect, and great musical skills. There is no band like Avichi.

Several elements make Avichi so unique. Avichi isn't the first band dealing with occultism, but atleast Aamonael knows what he's talking about. I'm tired of all the Black Metal bands declaring war to the christians, yet there are no actions (with exception of a sellected few bands). It's easy to create an evil sounding lyric, but it's not easy to make it worthy aswell. Avichi's lyrics contain enough symboly and obscure terms to make you think about it, and I think that this is exactly what lyrics should do. After all, lyrics are an instrument of propaganda. Avichi takes religious elements as a core, and covers it with layers of dark vocabulary until a hateful, (anti-)religious and obscure entity results. Nothing simple and laughable like "We rape christians. Hail Satan" to find here.

Avichi also secludes itself sound-wise. Fast guitar riffs and up-tempo drumwork gives the sound an agressive feel, which certainly results in a great, dark and hateful atmosphere in combination with the lyrics. The vocals are not like any other Black Metal band I've heard, and I have been in the scene for quite some years, so that should say enough. The vocals are low, a bit raw, and very intense. A supernatural being vomits hell over the earth, and the sun will never shine again.

The only element that prevented me from giving 100 points for this release, is that the songs are a bit monotonous. Certainly not boring at all though, but perhaps there could be a bit more variation in the songs. The production of the music is absolutely great though, so if Avichi just puts a bit more variation in the upcoming release, I think it's very difficult to beat that. I concider this release the best of 2007, so far.

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Arfsynd




ARFSYND is a Swedish one-man band featuring a multi-instrumentalist Perditor. The debut self-titled full-length was produced by the artist himself and mastered at the legendary Necromorbus studio, so expect a unique and deep sound! Featuring a variety of tempos, sincere, dark and haunting vocals, Perditor's exquisite and already well-known melodies, ARFSYND follows a different yet just as noble path. Lyrics, entirely written and performed in archaic Swedish, give this ARFSYND a special dimension, a special feeling, which, the author felt, could only be manifested through the use of his mother tongue. 



Arfsynd


                                                          Tracklist:

1.    Lifvets Usurpator
                        2.    Blodsutgjutelse I Herrans Namn
            3.    Vid Syndaflodens Mynning
                4.    Flagellanternas Procession
                     5.    Prisa Den Förtappade Flamman
        6.    Själamassans Ändalykt



11/11/11

Esbbat




A finales del año de 1996, se empieza a engendrar un proyecto en el cual, dos seres malditos entregan su energía en composiciones de crudo y pesado metal, Azkaron en la guitarra y Vampiric Corpse en la batería. Tras el pasar del tiempo en el año de 1998. Se une a ellos Fornicvs en la voz, ayudando a fijar el estilo musical e ideológico de la banda. En el año de 1999 dos insanas mentes Vulkano en la guitarra líder y Abatan en el bajo; se unen para completar así la primera alineación oficial y es lanzado el primer demo oficial “NOCTURNAL RITES OF EVIL” en el año 2000.
En el transcurso del año 2000, Vampiric Corpse y Abatan deciden concentrarse en sus proyectos personales. Con la salida de estos dos miembros la banda da un giro inesperado; Fornicvs pasa a ejecutar la batería y la voz. Estas tres mentes insanas, Vulkano, Fornicvs, Azkaron, siguen trabajando incesantemente hasta que se une a ellos Belias ejecutando el bajo y la voz en vivo. Con la entrada de este ser se completa la segunda formación de ESBBAT, y es lanzado el segundo demo “ABISMO BAJO EL MUNDO” liberado en el año 2002.
A finales del año 2003, es grabada la tercera producción” DENTRO DEL ESBBAT”, contiene 10 temas: Hail ¡ Mundo Infernal, Maligna Encarnación, Al Acecho, Hijos De Las Sombras, Tormenta, Dentro Del Esbbat, Sacrificio, Evocación, Mátalo; con explosivos riffs, poderosos golpes de batería, veloces punteos y malignas vociferaciones llenas de oscuridad y maldad, con 38 minutos de duración, grabado en ATOM estudio.
En el año 2004 as, junto a la promotora italiana ABSTRACT PROMOTION, Se libera un PRE-lanzamiento de 300 copias en versión CD industrial para el mundo. En este mismo año, ESBBAT entra de nuevo a el estudio de grabación ATOM, para plasmar lo que será su cuarta producción “LA ERA DE LA BESTIA”, que contiene ocho temas de un clásico metal negro: El Palacio De Lucifer, Selva Negra, Magick, La Era De La Bestia, La Montaña De La Muerte, Siniestra Rebelión, Ave Satanás, Salve Satanás, Reggie Satanás, Hail Lucifer!, Hordas Negras, con 43 minutos de duración. ESBBAT se radica en la ciudad de Bogotá e inicia una serie de conciertos a nivel nacional al lado de bandas como : inquisition, enthroned, ancient, dark funeral, entre otras y a la vez trabajando en la grabación de su tercer Cd " EL RETORNO DEL IMPERIO SATANICO", contiene 7 malditos temas: El Amanecer De La Muerte, El Eterno Triunfo Del Mal, El Llamado, Rey De Los Muertos, Muerte Al Reino De Cristo, Oda A Lucifer, The Hymn Of The Satanic Empire, con 47 minutos de blasfemo metal negro, grabado en abril del 2005,en los estudios EVIL INSIDE (Bogotá). En el año 2006, después de una larga espera es lanzado de forma oficial el Cd Dentro Del Esbbat producido por SYLPHORIUM RECS. Y ESBBAT se realizan nuevas presentaciones a nivel nacional contando con el apoyo de nuevos integrantes, kadath (bajo), Beltane (voces), Insano (guitarra líder).
En el año 2007 Azkaron, Fornicvs, Insano y Kadath graban la quinta producción de Esbbat “FALSOS IDOLOS” en los estudios Line Up de la ciudad de Bogotá. En el mes de noviembre de este mismo año es lanzado el segundo álbum Cd” LA ERA DE LA BESTIA” producido por ESBBAT. En el actual año 2010 ESBBAT Se encuentra promocionando “EL RETORNO DEL IMPERIO SATANICO” CD sellado con MIGHTY HORDES PRODUCTIONS.

Dentro del Esbbat


Tracklist:
  1. Hail! Mundo Infernal
  2. Maligna Encarnation
  3. Al Acecho
  4. 666
  5. Hijo De Las Sombras
  6. Tormenta
  7. Dentro Del Esbbat
  8. Sacrificio
  9. Evocación
  10. Mátalo

La Era De La Bestia


Tracklist:
  1. Ave Satanás! Salve Satanás! Reggie Satanás! Hail Lucifer!           
  2. La Montaña De La Muerte           
  3. Oscura Selva
  4. El Palacio De Lucifer
  5. Siniestra Rebelión
  6. Hordas Negras
  7. Magick
  8. La Era De La Bestia

El Retorno del Imperio Satánico

Tracklist:
  1. El Amanecer De La Muerte
  2. Eterno Triunfo Del Mal
  3. El Llamado
  4. Muerte Al Reino De Cristo           
  5. Rey De Los Muertos
  6. Oda A Lucifer
  7. Hymn Of The Satanic Empire
  8. Desde El Umbral (Demo 2000)
  9. Abismo Bajo El Mundo (Demo 2002)

8/11/11

Satyricon/Darkthrone



These bands need no introduction. I am sure that all balck metal fans know it.



Live In Wacken 2004



Tracklist:

  1. Satyricon - Walk The Path Of Sorrow
  2. Satyricon - Night Of The Triumphator
  3. Satyricon – Angstridder
  4. Satyricon – Filthgrinder
  5. Satyricon - Fuel For Hatred
  6. Satyricon – Forhekset
  7. Satyricon - Repined Bastard Nation
  8. Satyricon - Hvite Krists Dog
  9. Darkthrone - Kathaarian Life Code
  10. Darkthrone - The Hordes Of Nebulah
  11. Darkthrone - Transylvanian hunger
  12. Darkthrone - Under A Funeral Moon
  13. Darkthrone - Mother North

Anti





Genre: Depressive Black Metal
Country of origin: Germany
Current lineup
              Anti:           All instruments
Zahgurim:    Drums
A. Krieg:       Vocals



Founded in 2004 by Anti. Due to several requests, anti is a pure studio band and will never play live gig. Official releases "Longing for the end" demo CDr (2005 selfreleased / re-release by Insomnia Prod.) V/A "...for all hate in man! vol.9" track: "Nothing" pro-CD-R (2006 Insomnia Prod.) "The insignificance of life" CD / LP (2006 O.A.P. / A.O.P.) V/A "Gott in uns" 4way split 12" exclusive track: "Beatam Mortem Exspectans" LP (only!!!) (2007 O.A.P.)



The Insignificance of Life


Tracklist:
  1. Nothing
  2. Landscape in Minor          
  3. Invocation
  4. Farewell (Escape into Beyond)
  5. Zero Point
  6. Mourning Soul (Absurd cover)


Click Me

1349




1349 rose from the ashes of Alvheim in 1997, counting Ravn (vocals & drums), Tjalve (guitars), Seidemann (bass) and Balfori (guitars). Balfori quit shortly after due to musical divergence. In early '99 the band found Archaon whose speed and technique took their music to a new level of intensity and brutality.

Come spring 2000, 1349 decided to record a new promo showcasing the new material, and Frost of Satyricon was asked to lay down the drum tracks to get the speed required. Holycaust Records offered them a deal and released the new promo as an eponymous MCD. By early 2001, the band felt they had enough killer songs for afull-length album – “Liberation”. Hearing this material, Frost was so impressed that he asked to join and became a permanent member of the band. Recorded and mixed at Gordon Studios, Liberation blended old school soundscapes with warp-speed hysteria. 1349 signed with Candlelight Records in 2003 and released their debut full-length album in april 2003, then marched unstoppably forwards with the following releases “Beyond the Apocalypse” in 2004 and “Hellfire” in 2005.

In between recordings 1349 spent a lot of time on the road and have over the years toured with Celtic Frost, Gorgoroth and Carcass, to name a few, as well as performing at festivals like Wacken, Summer Breeze, Hellfest and SXSW. Guitarist and founding member Tjalve left in 2006 to focus his musical efforts on his band Pantheon I. Four years after the release of “Hellfire”, 1349 decided to unleash a quite different monster upon the unsuspecting masses and “Revelations of the Black Flame” saw 1349 return to Studio Studio Nyhagen with Tom G. Warrior co-mixing the album along with Ravn. Released May 25th 2009 on Candlelight Records, Revelations... saw 1349 explore the slower, darker and more ambient side of black metal, while still retaining the spirit of aural hellfire. An even deeper darkness was added to the sphere of 1349...it became evident that from here, it was gonna get scary.

2010 was a year when 1349 really started to flex muscles. With new cooperation partner Indie Recordings as the chosen label, 1349 unleashed their latest aural assault DEMONOIR, filled to the brim with abyssic darkness and hellish energy. This release - by far their most brutal to this date - showed that the band had gotten capable at blending a deeper and more sinister darkness with extreme intensity and venomous aggression, another proof of the band’s innovative take on Black Metal.

The year also saw 1349 playing some one-off European shows, coming to Finland for the first time, as well as touring the US with Cannibal Corpse and later co-headlining with Triptykon. Several high-profile festivals such as Wacken and Summer Breeze were once again given a lethal dose of Hellfire.

2011 brings 1349 to places dark and strange; be warned, and be ready...


Hellvetia fire

Tracklist:
  1. Hellfire
  2. Riders of the Apocalypse 
  3. Majhicanalenheten
  4. Nekronath
  5. Chasing Dragons
  6. Satanic Propaganda
  7. I Am Abomination
  8. Aiwass –Aeon
  9. Sculptor of Flesh
  10. The Usurper
  11. Slaves to Slaughter
  12. Hellfire