Legion del Metal

30/12/11

Best black metal album of 2011

Saludos a todos los visitantes de Black_Socciety. Feliz Fin de Año. Esta sera la ultima publicación del blog y para ello he decidido seleccionar, según mi criterio al mejor álbum de Black Metal del 2011. Para ello me puse en la ardua pero gratificante tarea de escuchar, no todos, los álbumes del genero salidos este año. La lista era extensa pero es mi genero favorito. Después de escuchar y tener en cuenta la capacidad de atracción que provocaba en mi el álbum (teniendo en cuenta que como mínimo el 50% de las canciones incluidas en el álbum debía gustarme). Por ello el titulo del mejor álbum del año se lo otorgo al álbum VADA de la banda de Belarus                         
Door Into Emptiness. Por sus poderosos riff de guitarra, sus voces profundas y cargadas de la energía propia del black metal y eso manejo de batería entre rápido y pausado que hacen a cada canción única. Felicidades a ellos, agrego que es el primer Full-length de la banda. 


Espero el próximo año nos sigan deleitando con su música. Si queréis escuchar el álbum, en esta pagina lo podéis encontrar. Feliz fin de año para todos.  

23/12/11

Altar of Perversion



Interview done in october 1999

In the beginning there was a band called Dark Lust so far, which style was a kind of dark death metal who released a demo, back in ’92… the band splitted-up, and the vocalist decided to form another act putting with him the drummer and one of the two guitarists… the name chosen was Necromass! So after the releasing of a 7” Necromass changed line-up and from that moment that guitarist (Seth) and drummer (L.C. Blast) closed themselves into the abyss… Where they have gone??? Are they dead now??? …The abyss’ gate re-opened… Their monicker is now Altar of Perversion and they play nothing but wicked black metal!!!

And here is an interview with Seth (gt + vc) done in october ’99, some time after the listening of their first demo named “The Abyss’ Gate Re-opens” (ok, maybe this interview is a little bit old (but not obsolete) but I don’t give a damned fuck!)… simply beautiful acabre!

Vanish: The first question is fairly superficial: in what period and what circumstances Altar of Perversion has been formed?


Seth: The first incarnation came as Forgotten Stars, before and after mine and L.C. Blast’s involvement with Necromass in ’93 e.v. (“His eyes” 7”), but it was more a project of mine back then, with L.C. Blast as session, that didn’t go anywhere for lack of worth members to join and money. The real beginning was in ’97 e.v. when in spite of money problems still being there, we managed to find a bass-player; I decided to do also the vocals, changed the name into Altar of Perversion and we begun to rehearse. That bass-player soon revealed to be only a stupid average, trendy human, thus he was kicked out and replaced by Rexor, you know the rest of the story.

Vanish: From what bands do you personally took inspiration in the composition of the songs featured on “The Abyss’ Gate Re-opens”?

I never take direct inspiration from other bands for the composition of our songs, the whole process is far more complex and deep. When the lyrics are about some personal experiences I will concentrate on that and try to invoke the atmosphere that I was breathing during that certain experience, to put it out translated in the form of Black Metal. In other cases both the music and lyrics can be a consequence of each other, then being the consequence of something else as well, but your question is not about this so I’ll not go too deep into it. Anyway I’m aware that, unconsciously, some influences are there.

Vanish: Among the tracks, “Black Magickal Suicide” is undoubtely the piece that strucked me mostly, both for musical and lyrical aspects: unless it doesn’t deal with something of extremely personal, would you illustrate me its text?

Seth: Yes, it is personal but if I wrote a text about it I can also explain something: there are some details that are evidently exagerated and some perverted imaginations as well; for the rest it described something real that I have experienced and searched for (more or less unconsciously), being killing my self (spiritually), a spiritual death that was my self-initiation to darkest paths and more wisdom. Other details can be read in the lyric itself, I won’t go deeper than this. The matter is anyway deeepened in other lyrics for songs that will appear later.

more HERE

From Dead Temples (Towards the Ast'ral Path)



Tracklist:
  1. Shteitanhas
  2. The Wisdom of Evil
  3. Aeongrave
  4. Necromantia Sexualis
  5. Burningcoldvoiddemon
  6. From Dead Temples
  7. Behold the Altar of Perversion
  8. Carpathian Shadows

Taake



Hoest is the creative force of the band; the rest of the lineup is highly unstable.

The band was formerly known as Thule (1993-1995); Høst then changed the name to Taake (the Norwegian word for "fog") in 1995 because he wanted the name to reflect the genuine Norwegian spirit of his music and lyrics. It is also a patriotic tribute to the fog that surrounds the seven mountains at his hometown Bergen. "Høst" itself means "Autumn" in Norwegian, referred to Høst's season of birth.

Vendigeit is a project mentioned by Høst in interviews, about which very little is known.

Høst was imprisoned in 2006 for unknown reasons. His label Dark Essence Records reported that the prison sentence was only a few months.C. Corax (guitars on Doedskvad and Bjoergvin) has also been imprisoned, though for a longer prison sentence.

There is a reason why Høst prefers his name spelled with an "oe" and not an "ø". It is because he does not want to use the three letters æ,ø, and å. This is a part of the whole Taake package

 Kveld
Tracklist:

  1. Nordbundet
  2. Motpol
  3. Hordalands Doedskvad 1
  4. Over Bjoergvin graater Himmerik 4
  5. Nattestid ser Porten vid 1

Pestilentia



Genre: Black Metal
Country: Belarus
Year: 2011



Pestilentia - Rotten (2011) 


Tracklist:

  1. Rotting Flesh of God 
  2. Pestilential Blessings 
  3. For I Am Death 
  4. Purification Comes Before Enlightenment

Dystopia Nå!



Emerging from North-Atlantic city of Oslo, Dystopia Nå!, a force of muttered urban despair and displacement reveals itself through a manifold of various musical aspects and creativity.

Line- up
K. - Vocals, guitars, keyboard, S. - Guitars, bass, vocals A. - Drums, programming, vocals

Influences
Altar of Plagues, Grey Waters, Shape of Despair, Mar de Grises, Explosions in the Sky, Ved Buens Ende, Jesu, Austere, Lantlôs, Líam, Orakle, Arcturus, Negura Bunget, Godspeed You! Black Emperor, Shining (SE), Neurosis, Isis, Ansur, Gojira, Dolorian, Pyramids, etc

Syklus


Tracklist:
  1. Vemod           
  2. Av Piller og Idioti. Den Evinnelige Forlystelse
  3. I Metropolens Favn. Grasoner og Vinterreduksjon
  4.  God Morgen, Dystopia. Drommer...           
  5. Neon. Tap, og Scener I Retrospeksjon
  6. Oslo S / Barn av Lerret (Del I). Bundt, full og Udugelig
  7. Kollaps. Vendepunkt
  8. Barn av Lerret (Del II). Bortkommen, tom og Parat

6/12/11

End



Name: End
Génre: Black Metal
Country of origin: Greece


End III



Imagine the furious excitement, anticipation and satisfaction that Hitler was feeling as he pressed the ‘on‘ button of the first Jew hoover and began to see his plans, however nefarious, take shape. I felt the same about this album upon learning of it early this year!

The fact that I hadn’t toiled to create the album or put my own thoughts or talent into it probably means that my feelings were slightly less intense than either Hitler of End.

Anyway I couldn’t wait to hear it and within minutes of the CD hitting the floor below my letterbox it was inserted excitedly into the player. Thankfully, unlike the drug addicted and power crazed Fuhrer we haven’t had to wait 21 years for the next installment of End’s evil.So with all the instant chaos and noise of the dual cyclone Jew buster, End plunge recklessly into Catastrophe like an invasion of Poland; without warning and with devastating speed.
The first thing you’ll notice is that it sounds tons heavier and much cleaner than 2003′s II and much more aggressive. Quite what they’ve been doing for 6 years is now brutally obvious: refining and improving their technique, delivery and sound. The vocals tear shreds into the air around you mixing up painful sounding screaming with deeper more guttural bellowing. The song rides a wave of intense negativity that builds savagely towards the end.
‘Self Eating Mass’ drops the tempo a couple of notches.It’s good to see song titles that are imaginitive and thought provoking these days, in the face of an overdose of Satan hailing. The momentum from track 1 is upheld despite the brakes being applied. Until about half way through when it get a bit soft, slow and floppy with picked guitars (still distorted) and grumpy bickering singing. This goes on for the rest of the song for some reason and seems a bit pointless other than to add atmosphere that it dosen’t really need.
However, ‘Still In Flesh’ makes you forget that with a massivley melancholy riff reminiscent of some of Watain’s finer moments. It is dark and depressing and would fit well into an independant movie. It picks up later on with a sudden shift back to aggression, made most welcome by the first part of the tune and finishes in a catchy flurry.
I’m all for experimentation and think that bands need room to explore different shit but ‘In The Womb of Sick’ took me totally by surprise. The opening section doesn’t sound much like Black Metal even though there are some good riffs in it. It gets better but feels like a song they just threw together. Next up is ‘Lavish Gloom’ which is a stompy affair to begin with but also feels a bit like an outstretched arm to mainstream acceptance with the last 2 minutes comprising of relatively nicey nicey stuff.
‘Ugly and Bygone’ pulls it back together and is a good solid song. ‘The Largest Hearse’ revs the CD back to normal with some good ol’ dirty foot tapping grimness and paves the way for the finale entitled ‘Megalomania’ which is just as exciting and satisfying as the opening track. This really saves the album in my opinion because it could have gone horribly wrong and been sucked into the same internment area as Satyricon and Keep of Kalessin. I only hope that End don’t fall into that on their next album.
Like Hitler, End have had some good ideas and some not so good ones and hopefully neither will result in a world war or genocide although you can never be 100% sure of that. III is a good album. Well written and produced and I’m sure it will push End up the list of accomplished bands of the latest wave of Black Metal and is well worth checking out.

Written by: Waffen



Tracklist: 
  1. Catastrophe
  2. Self-Eating Mass
  3. Still in Flesh
  4. In the Womb of Sick
  5. Lavish Gloom
  6. Ugly and Bygone
  7. The Largest Hearse
  8. Megalomania

Uruk-Hai / Mhnunrrn


Name: Mhnunrrn
Génre: Black Metal
Country of origin: Czech Republic



Mhnunrrn is a one-man raw black metal band from the Czech Republic, founded in 2010 by Klat Ba (Holomráz, Fonnia, ex-Trist (Cze), ex-Deep-pression). The name Mhnunrrn is based on prehistoric runes and is in the eyes of Klat Ba a word for success and satisfaction. The logo is simply a calligraphic record of this word, created by Klat Ba himself. Klat Ba is, next to a musician, also a painter and a graphical artist. 

&




Name: Uruk-Hai
Génre: Dark Ambient
Country of origin: Austria


Founded in 1999, Uruk-Hai is a dark ambient band from Austria highly influenced by the works of J.R.R. Tolkien. The band is named after an advanced breed of orcs from Tolkien's Lord of the Rings trilogy. Alexander "Hugin" Wieser, founder and only member of Uruk-Hai, is also the owner of W.A.R. Productions.


Uruk-Hai / Mhnunrrn



Uruk-Hai/Mhnunrrn is a split album by Uruk-Hai and Mhnunrrn, released by the French label Le Crépuscule Du Soir Productions in June 2010. The release features three tracks by Uruk-Hai and a single 20-minute song by Mhnunrrn.

Tracklists:

  1. Uruk-Hai - The Fate of Man
  2. Uruk-Hai - Lebensende:Winter (Different Version)
  3. Uruk-Hai - Gil-galad (Remastered Version)
  4. Mhnunrrn – II

Drudkh



During all its history, the band followed a 'no photos, no interviews, no website, no gigs' policy, which was nobly accepted by Drudkh's new label Season of Mist. The absence of any comments or information from Drudkh's side gave an opening to a few ignorant internet warrior-fans to spread rumors, that the band embraces extreme political views. This is absolutely misleading and a total profanation, since there is nothing in Drudkh's music or lyrics that would suggest any political outlook. Drudkh praise individualism, self-improvement and estrangement from modern values.

On some of their albums Drudkh uses the lyrics of Taras Shevchenko and some other Ukrainian poets.

Drudkh means ''wood'' in Romanised Sanskrit.

Drudkh doesn't support any extreme ideology and declares itself as a non-political band.


Лебединий Шлях (The Swan Road)

Tracklist:

  1. 1648
  2. Вiчне Сонце (Eternal Sun)
  3. Кров (Blood)
  4. Заграва 1768-го (Glare of 1768)
  5. Цiна Волі (The Price of Freedom)
  6. Доля (Fate)
  7. Дума про Руйнування Сiчi (Song of Sich Destruction)


29/11/11

Defuntos




Defuntos es una banda portuguesa de black depresivo con algo de doom metal. Algo importante de esta banda es que su sonido es profundo y expresan todas esas emociones del alma. Acompañado con letras que giran en tono a la Muerte,el sufrimiento,la  tristeza, y la nostalgia. 


Con solo dos integrantes: conde J y conde F Defuntos ha hecho diez albumes en solo seis años de trayectoria. 


Luto Perpétuo




Tracklists:

  1. Mórbido Padecimento
  2. O Derradeiro Beijo... Do Morto (A Visão da Tragédia, Capítulo IV - A Saudade)
  3. ...A Tua Voz...
  4. Algarve Esquecido
  5. Dentro de um Corpo que era Teu...


28/11/11

Darkestrah





Current Line-Up:
Kriegtalith - Vocals
Resurgemus -, Guitars, Synths
Asbath - Drums, Percussions

Guest Appearance:
 Helvete: Bass
Benjamin Hoffmann: Guitar
Sharthar - Cello, Keyboards (studio only)

Past members:
Oldhan - Guitars, Bass, Vocals
Tartar - Guitars
Anastasia - Keyboards
Shagan - Guitas
Anti - Guitars

DARKESTRAH formed in mid 1999 by Asbath in Bishkek/Kyrgyzstan. The first demo, entitled 'Pagan Black Act' was recorded in December 1999. In December 2000 the second demo 'Through the Ashes of the Shamanic Flames' was recorded and released through german label Curse of KvN Sadistic in 2003.

In February 2003 the debut album 'Sary Oy' was recorded, which gained a wide response worldwide through NCR in 2004. Great melodic parts were paired with traditional instruments like Kyl-kyjak, Komuz or Sygyt. Female Black Metal vocals and throat singing that created the atmosphere of the spiritual shamanic people. Sary Oy lyrically brings the ancient Kyrgyz tales about three sisters of nature in three songs. This record marked Darkestrah's as one of the most interesting bands within the Shamanic Pagan Black Metal genre.

In September 2004 limited MLP 'The Way to Paganism' was recorded and released on NCR in 2005.

In August 2005, 'Embrace of Memory' the 2nd album was recorded in Blue House Studio, and the final work, 'Embrace of Memory', was released in October 2005.

In January 2007 we released the 3rd album "Epos". This time we changed studio and now this is the "Kick the Flame Studio' (studio of the member from the band Disillusion). This album included one magic long Black Metal composition at the medium tempo with some acoustic tunes and the atmospheric feel. This 'Epos' is completely dedicated to our beloved lake Issyk-Kul', which is located in Central Asia. There are more than ten legends, histories, myths and fairy tales about this lake. Every aspect of Epos signifies a spiritual, almost pre-historic journey. The album is thick with Pagan themes, but it is not done in a way which seems almost cliche in Black Metal these days. Darkestrah’s approach to pagan expression this time has been one of using subtlety to convey power of expression.

In March 2007 Darkestrah have ended the relationship with NCR and one month later we signed with the US label Paragon Records.

March 2008, DARKESTRAH has finished the recordings for the new studio album "The Great Silk Road" and the final work, was released in August 31, 2008 through Paragon Records.
In February 2011 the band signed to French label Osmose Productions. This is without a doubt the beginning of a new era for the band.

Khagan

Tracklists:

  1. Saga of Temudgin
  2. Onon River
  3. Khagan



Dark Essence



Dark Essence inicia en el mes de Febrero del 2008 en Armenia, Quindío, con Esteban Beltrán (voz) y Jorge Mogollón (Guitarra, Bajo y Batería) con un Black metal influenciado por bandas como Limbonic Art, Tártaros, Enthroned, tristitia, entre otras. Para el mes de Septiembre Esteban deja a un lado la banda quedando con la Labor de hacer las líricas, y entra como vocal Cristian Garzón con esta formación la banda entra a estudio a grabar su primer Ep “Anhelos De Un Macabro Lamento” en Mastersound Studio, de la ciudad de Armenia.

A inicios del 2009, ingresa Iván Sánchez (Guitarra Rítmica) Y Deivy Ramírez (Batería), consolidándose así la banda con una formación estable y haciendo toques en ciudades como Pereira, Buga, Armenia y Calarca. La banda ha rotado en emisoras de radio de ciudades como: armenia (rock al 100), Manizales (rock sound) mostrando un potente y devastador black death metal y en países como Australia en la emisora dark essence radio, y también ha sonado en bares de la ciudad de Londres-Inglaterra, Estocolmo-Suecia. Madrid-España. La banda ha tenido la oportunidad de compartir con grandes bandas de la escena nacional y esto ha sido muy gratificante pues han sido bandas con mucha dedicación y pasión por lo que hacen. En la actualidad la banda consta de 4 miembros, 3 de ellos en escenario, y se encuentran realizando los nuevos temas de lo que será su primer full length y próxima producción los cuales serán algo mas cargados de agresividad, energía y técnica, además de blasfemia y odio. 


Anhelos de un Macabro Lamento


Tracklists: 

  1. Intro (Esencia Oscura)
  2. Bathory
  3. Tiempos de Gloria
  4. Lumen Aeternus Palam Acerbus
  5. Hijos del Mal
  6. Outro



15/11/11

Avichi



This is the Theosophist concept of hell, which is derived from the Sanskrit for "isolation." Although a place of torment it greatly differs from the ordinary conception of hell, chiefly because those who reside there have no physical bodies with which to satisfy the fleshy desires that they are plagued with.

The Theosophical teaching on which Avichi is based is the conception that people remain the same entity after death as they were before dying. That is, if in life a person was possessed by strong passions and desires then he will retain them in the astral world. The desires then become unsatisfying with a physic body and turn into anguished torments.

The manner of torments seems to be infinite varying from the confirmed sensualist struggling with his desire of the flesh to the ordinary person, while not burden be fleshy desires, who is troubled by the thought that he gave too much attention in his earthly life to worldly affairs rather than focusing on higher goals. This latter person is thus doomed to regret his lack of attention toward higher objectives.

Avich is a place of regrets for things done and left undone in the physical life. Its torments, however, are not eternal, but will gradually subside after timeless durations of anguished torment.




The Divine Tragedy


Tracklist:

1.    Entrance to God (instrumental)
2.    Purification Within the Eighth Sphere
3.    Messianic Deliverance
4.    Phallic Insinuation
5.    Prayer for Release (instrumental)
6.    Taedium Vitae
7.    Aeonic Disintegration (instrumental)
8.    Separation from the Life Principle

h   This is the first release by Avich, and they directly come with a masterpiece, instead of several promotional demos with crappy sound. Avichi is certainly a very promising band, armed with a high intellect, and great musical skills. There is no band like Avichi.

Several elements make Avichi so unique. Avichi isn't the first band dealing with occultism, but atleast Aamonael knows what he's talking about. I'm tired of all the Black Metal bands declaring war to the christians, yet there are no actions (with exception of a sellected few bands). It's easy to create an evil sounding lyric, but it's not easy to make it worthy aswell. Avichi's lyrics contain enough symboly and obscure terms to make you think about it, and I think that this is exactly what lyrics should do. After all, lyrics are an instrument of propaganda. Avichi takes religious elements as a core, and covers it with layers of dark vocabulary until a hateful, (anti-)religious and obscure entity results. Nothing simple and laughable like "We rape christians. Hail Satan" to find here.

Avichi also secludes itself sound-wise. Fast guitar riffs and up-tempo drumwork gives the sound an agressive feel, which certainly results in a great, dark and hateful atmosphere in combination with the lyrics. The vocals are not like any other Black Metal band I've heard, and I have been in the scene for quite some years, so that should say enough. The vocals are low, a bit raw, and very intense. A supernatural being vomits hell over the earth, and the sun will never shine again.

The only element that prevented me from giving 100 points for this release, is that the songs are a bit monotonous. Certainly not boring at all though, but perhaps there could be a bit more variation in the songs. The production of the music is absolutely great though, so if Avichi just puts a bit more variation in the upcoming release, I think it's very difficult to beat that. I concider this release the best of 2007, so far.

   Click Me

Arfsynd




ARFSYND is a Swedish one-man band featuring a multi-instrumentalist Perditor. The debut self-titled full-length was produced by the artist himself and mastered at the legendary Necromorbus studio, so expect a unique and deep sound! Featuring a variety of tempos, sincere, dark and haunting vocals, Perditor's exquisite and already well-known melodies, ARFSYND follows a different yet just as noble path. Lyrics, entirely written and performed in archaic Swedish, give this ARFSYND a special dimension, a special feeling, which, the author felt, could only be manifested through the use of his mother tongue. 



Arfsynd


                                                          Tracklist:

1.    Lifvets Usurpator
                        2.    Blodsutgjutelse I Herrans Namn
            3.    Vid Syndaflodens Mynning
                4.    Flagellanternas Procession
                     5.    Prisa Den Förtappade Flamman
        6.    Själamassans Ändalykt



11/11/11

Esbbat




A finales del año de 1996, se empieza a engendrar un proyecto en el cual, dos seres malditos entregan su energía en composiciones de crudo y pesado metal, Azkaron en la guitarra y Vampiric Corpse en la batería. Tras el pasar del tiempo en el año de 1998. Se une a ellos Fornicvs en la voz, ayudando a fijar el estilo musical e ideológico de la banda. En el año de 1999 dos insanas mentes Vulkano en la guitarra líder y Abatan en el bajo; se unen para completar así la primera alineación oficial y es lanzado el primer demo oficial “NOCTURNAL RITES OF EVIL” en el año 2000.
En el transcurso del año 2000, Vampiric Corpse y Abatan deciden concentrarse en sus proyectos personales. Con la salida de estos dos miembros la banda da un giro inesperado; Fornicvs pasa a ejecutar la batería y la voz. Estas tres mentes insanas, Vulkano, Fornicvs, Azkaron, siguen trabajando incesantemente hasta que se une a ellos Belias ejecutando el bajo y la voz en vivo. Con la entrada de este ser se completa la segunda formación de ESBBAT, y es lanzado el segundo demo “ABISMO BAJO EL MUNDO” liberado en el año 2002.
A finales del año 2003, es grabada la tercera producción” DENTRO DEL ESBBAT”, contiene 10 temas: Hail ¡ Mundo Infernal, Maligna Encarnación, Al Acecho, Hijos De Las Sombras, Tormenta, Dentro Del Esbbat, Sacrificio, Evocación, Mátalo; con explosivos riffs, poderosos golpes de batería, veloces punteos y malignas vociferaciones llenas de oscuridad y maldad, con 38 minutos de duración, grabado en ATOM estudio.
En el año 2004 as, junto a la promotora italiana ABSTRACT PROMOTION, Se libera un PRE-lanzamiento de 300 copias en versión CD industrial para el mundo. En este mismo año, ESBBAT entra de nuevo a el estudio de grabación ATOM, para plasmar lo que será su cuarta producción “LA ERA DE LA BESTIA”, que contiene ocho temas de un clásico metal negro: El Palacio De Lucifer, Selva Negra, Magick, La Era De La Bestia, La Montaña De La Muerte, Siniestra Rebelión, Ave Satanás, Salve Satanás, Reggie Satanás, Hail Lucifer!, Hordas Negras, con 43 minutos de duración. ESBBAT se radica en la ciudad de Bogotá e inicia una serie de conciertos a nivel nacional al lado de bandas como : inquisition, enthroned, ancient, dark funeral, entre otras y a la vez trabajando en la grabación de su tercer Cd " EL RETORNO DEL IMPERIO SATANICO", contiene 7 malditos temas: El Amanecer De La Muerte, El Eterno Triunfo Del Mal, El Llamado, Rey De Los Muertos, Muerte Al Reino De Cristo, Oda A Lucifer, The Hymn Of The Satanic Empire, con 47 minutos de blasfemo metal negro, grabado en abril del 2005,en los estudios EVIL INSIDE (Bogotá). En el año 2006, después de una larga espera es lanzado de forma oficial el Cd Dentro Del Esbbat producido por SYLPHORIUM RECS. Y ESBBAT se realizan nuevas presentaciones a nivel nacional contando con el apoyo de nuevos integrantes, kadath (bajo), Beltane (voces), Insano (guitarra líder).
En el año 2007 Azkaron, Fornicvs, Insano y Kadath graban la quinta producción de Esbbat “FALSOS IDOLOS” en los estudios Line Up de la ciudad de Bogotá. En el mes de noviembre de este mismo año es lanzado el segundo álbum Cd” LA ERA DE LA BESTIA” producido por ESBBAT. En el actual año 2010 ESBBAT Se encuentra promocionando “EL RETORNO DEL IMPERIO SATANICO” CD sellado con MIGHTY HORDES PRODUCTIONS.

Dentro del Esbbat


Tracklist:
  1. Hail! Mundo Infernal
  2. Maligna Encarnation
  3. Al Acecho
  4. 666
  5. Hijo De Las Sombras
  6. Tormenta
  7. Dentro Del Esbbat
  8. Sacrificio
  9. Evocación
  10. Mátalo

La Era De La Bestia


Tracklist:
  1. Ave Satanás! Salve Satanás! Reggie Satanás! Hail Lucifer!           
  2. La Montaña De La Muerte           
  3. Oscura Selva
  4. El Palacio De Lucifer
  5. Siniestra Rebelión
  6. Hordas Negras
  7. Magick
  8. La Era De La Bestia

El Retorno del Imperio Satánico

Tracklist:
  1. El Amanecer De La Muerte
  2. Eterno Triunfo Del Mal
  3. El Llamado
  4. Muerte Al Reino De Cristo           
  5. Rey De Los Muertos
  6. Oda A Lucifer
  7. Hymn Of The Satanic Empire
  8. Desde El Umbral (Demo 2000)
  9. Abismo Bajo El Mundo (Demo 2002)