Noctis Invocat

NOCTIS INVOCAT was born in a full moon, end of march 1994. Bringin to their land (Guatemala) a new meaning of darkness.

This band was baptized by the night, tryng to make the better they could, “making a creative and soulfull music”, without leaving the path they choose, a black depressive metal. A new breath to the central american scene, with influence of doom, astral, gothic and occult metal, always tryng to keep the touch of intense and powerfull meaning of raw feeling, reflexion of their heavy depression mixing the teatrical way of life.

NOCTIS INVOCAT its a latin name (mother leanguage) thats means invocating the night, a name who explain well what the lirics and music is about.

Their debut demo “Eternal Dreams of Fire”, was recorded in Guatemala city during agust of 1994, this promotional tape bring to the ears 3 mystic poems, plus and acoustic outro in spanish,this demo makes a reflexion and put them in a step futher to the scene not only in their guatemalan scene, and makes a big revolution in brothers countrys like El Salvador and Honduras, mixing a occult, doom, theastral and depressive black metal.

This only demo (E.D.O.F.) was worth to the band in 1998  to made their new step, recording on “Southern Hellish Productions” a label from Argentina, their debut CD “Depressiva Vox Clamantis” (a depressive voice who claims), it contains 7 tracks of the most atmospheric, depressive and melodic black metal even better than their first demo E.D.O.F., showing a natural evolution, well structure song, fast changes of times, and a complex arrenges, mixing acoustic slow pasages with fast, brutal and diabolics sounds, making a intense and deep trance to the feeling.

Also they bring to their music diferents lenguages: English, Spanish, German and Latín, and like plus a female vocals, and unheard whispers.

The new step for them was a new challenge, make a production for themselves, a mature step, involving the whole band in a new responsibility,bring a new and a powerful, even better than their predecesor, and the results was in november of 2002 NOCTIS INVOCAT enter to the studio again, and was born their second effort called: “Luxuria In Caellum” (Lust in Heaven), this time with a new member Willy Monroy on the keyboards, who brings a new blood to their pentagram, 7 (plus intro and outro) obscure, melodics, acoustic, and raw brutal black metal tracks, always in the same occult and mystic vein, who makes this band the most notable acts in Guatemala and the central america scene.

Depressiva Vox Clamantis

Tracklist:

1. Noctis Invocat
2. Eternal Dreams of Fire
3. Mystique Spell
4. Wind's Lord
5. Alter Deus
6. Paradise of Enthrallment
7. Depressiva Vox Clamantis

Click Me

Luxuria in Caellum

Tracklist:

1. Intro
2. Dream’s Lord
3. Evil of Mine
4. Nocturnal Spirits
5. Lustful Poem
6. Hominis Nocturna
7. Thronus Ab Sanguis
8. Outro

Click Me

Azathoth (Nic)

Género: Black Metal

Ubicación: Managua, Managua, Nic

Año de creación: 2004

Los orígenes como proyecto se remontan por el año 2004, siendo el género a tocar en este entonces Death Metal, la alineación era: en la voz Kasbeel, en la batería Fabio Gonzales, en la guitarra Bryan Sovalbarro, en el bajo Néstor Gutiérrez, el proyecto no era muy sólido ya que los integrantes no eran estables, por esta causa el proyecto como tal desaparece a principios de 2006. En marzo de 2006 Kasbeel continúa con la idea de crear un proyecto, pero ya no Death Metal, sino Raw Black Metal, reclutando nuevamente a Fabio Gonzales. Pasó un cierto tiempo y todavía no se solidificaba, entonces Fabio tomó la decisión de salir quedando Kasbeel como único integrante, pero sin dejar la idea de continuar. Para septiembre de 2006 kasbeel se une con Jorge Brizuela quien aquí seria guitarrista, Carlos Gonzales en el bajo y en la batería Jason Jakson, conociéndose el proyecto como Caacrinolas, estos integrantes no duraron mucho y la búsqueda continuaba, en junio de 2007 entra en la batería Guillermo Cruz y en el bajo Yanith aquí ya no conociéndose como Caacrinolas sino como Sorath, parecía que iba escalando poco a poco, pero surgieron inconvenientes con el baterista Guillermo así volviendo a caer, creando con estos integrantes solo una canción. Para marzo de 2008 Kasbeel contacta con Guillermo González (Guitarra) 4 meses después entra Ulises Hernández (Bajista) pasando cierto tiempo sin baterista, pero creando temas, un mes después entra en la Batería Leonardo, aquí Sorath se solidifica y practican durante seis meses creando 7 temas con la línea Raw Black Metal, los integrantes deciden cambiar el nombre a Azathoth. Debutarían como banda en el Ciudad Sandino Metal Fest que era en Febrero del año 2009 tres días antes del concierto Leonardo deja Azathoth quedando así sin baterista y cancelando el Debut. Como ya estaba solidificado el grupo y tenían un concierto para en marzo comenzaron a buscar baterista, encontrando así a Bernard Pattatuchi una semana antes del concierto deja la banda Ulises Quedando sin Bajo, pero como los integrantes deseaban hacer un debut muy trabajado no les parecía la idea de subir sin bajista entonces integran a Ariel Guevara, con esta alineación: Kasbeel (Voz); Lord Adad (Guitarra); Bernard (Batería); Ariel (Bajo). Hacen su debut oficial el 28 de marzo de 2009 con el nombre Azathoth. Pasan por tres conciertos, y la banda integra en la segunda guitarra a Jeffrey para así brindar al público un toque más profesional, de ahí adelante Jeffrey es un integrante oficial de la banda. 

The Abyss of Time (DEMO 2010)

Tracklist:

1. The Abyss Of Time
2. The Celestial War I

Click Me o Click Me

Altar of Perversion

Interview done in october 1999

In the beginning there was a band called Dark Lust so far, which style was a kind of dark death metal who released a demo, back in ’92… the band splitted-up, and the vocalist decided to form another act putting with him the drummer and one of the two guitarists… the name chosen was Necromass! So after the releasing of a 7” Necromass changed line-up and from that moment that guitarist (Seth) and drummer (L.C. Blast) closed themselves into the abyss… Where they have gone??? Are they dead now??? …The abyss’ gate re-opened… Their monicker is now Altar of Perversion and they play nothing but wicked black metal!!!

And here is an interview with Seth (gt + vc) done in october ’99, some time after the listening of their first demo named “The Abyss’ Gate Re-opens” (ok, maybe this interview is a little bit old (but not obsolete) but I don’t give a damned fuck!)… simply beautiful acabre!

Vanish: The first question is fairly superficial: in what period and what circumstances Altar of Perversion has been formed?

Seth: The first incarnation came as Forgotten Stars, before and after mine and L.C. Blast’s involvement with Necromass in ’93 e.v. (“His eyes” 7”), but it was more a project of mine back then, with L.C. Blast as session, that didn’t go anywhere for lack of worth members to join and money. The real beginning was in ’97 e.v. when in spite of money problems still being there, we managed to find a bass-player; I decided to do also the vocals, changed the name into Altar of Perversion and we begun to rehearse. That bass-player soon revealed to be only a stupid average, trendy human, thus he was kicked out and replaced by Rexor, you know the rest of the story.

Vanish: From what bands do you personally took inspiration in the composition of the songs featured on “The Abyss’ Gate Re-opens”?

I never take direct inspiration from other bands for the composition of our songs, the whole process is far more complex and deep. When the lyrics are about some personal experiences I will concentrate on that and try to invoke the atmosphere that I was breathing during that certain experience, to put it out translated in the form of Black Metal. In other cases both the music and lyrics can be a consequence of each other, then being the consequence of something else as well, but your question is not about this so I’ll not go too deep into it. Anyway I’m aware that, unconsciously, some influences are there.

Vanish: Among the tracks, “Black Magickal Suicide” is undoubtely the piece that strucked me mostly, both for musical and lyrical aspects: unless it doesn’t deal with something of extremely personal, would you illustrate me its text?

Seth: Yes, it is personal but if I wrote a text about it I can also explain something: there are some details that are evidently exagerated and some perverted imaginations as well; for the rest it described something real that I have experienced and searched for (more or less unconsciously), being killing my self (spiritually), a spiritual death that was my self-initiation to darkest paths and more wisdom. Other details can be read in the lyric itself, I won’t go deeper than this. The matter is anyway deeepened in other lyrics for songs that will appear later.

more HERE

From Dead Temples (Towards the Ast'ral Path)

Tracklist:

1. Shteitanhas
2. The Wisdom of Evil
3. Aeongrave
4. Necromantia Sexualis
5. Burningcoldvoiddemon
6. From Dead Temples
7. Behold the Altar of Perversion
8. Carpathian Shadows

Click Me o Click Me 

Forgot

Forgot belonged to far east black wolves togheter with Spitehowling and Evilwinged.

This is a Russian black metal band. Was founded and formed in 1995 by Wizard. After Anatoly Kobylin and Shaarikh came to be part of the band.

Doomed to Exile

1. Intro
2. Baton Sinister
3. Celestial Liaison
4. Slumberland Forever
5. Requiem
6. Doomed to Exile

Click Me

Cursed Ruin

Cursed Ruin (Comprised of Killem Koresh and Goremaggot) have been around for many years playing Black Metal.The members Goremaggot & Killem have known each other & have been making sick music since 1996, and have been involved in several other bands together as well. There are two early recording's (unofficial demo's) which did not get much circulation.The band has a full line-up now with the addition of Wurgarg on guitar & Lizard on Bass.

CURSED RUIN – Goat Urine [Demo] (2010)

Black Metal (U.s.a.)

1.Cross Nailer
2.Cacophony Of Pure Black Emotion
3.Forest Of Thornes
4.Necro-Pedophile Priest

Click ME