Legion del Metal

2/5/12

Lugubre (Nld)



Lugubre is a black metal band from Friesland. It started as a solo project in 1999 by Striid as Genocide SS, but changed the name later that year to Lugubre. He started to spread his "anti-human" black metal with his first demo "Kriich" in 1999, which was released by At War Records (known from their releases of Judas Iscariot (band), Tsjuder and Blasphemous Evil). Hermit, teamed up with founding member Striid in 2000 and they formed a band around them in 2001. In 2003 Lugubre signed to Folter Records and released their debut album, Anti Human Black Metal.

The idea for Lugubre was first born in 1993 when Striid (at that time called Iskaroth) was inspired by the second wave of black metal and started recording a demo for his first solo project "Winterlord" which was released in 66 handmade copies. During this time he searched for musicians but it took a while to find some. When he found some musicians he changed the name Winterlord to Diabolique and they recorded their first album in 1996. After some line-up changes they recorded a second album in 1998, but it has never been released. In late 1998 he left the band for personal reasons and frustrations and started in 1999 Lugubre.

In 1999 Striid started with his "anti-human black metal" campaign with lyrics about war and Satanism mixed with World destruction. Lugubre uses a warskull which stands for destruction of the human race, which comes back on every album layout or design. The skull stands for the human race and the stahlhelm for war and destruction

Current members
Asega - Vocals (2007- )
Striid - Guitar (1999- )
Tsjuster - Guitar (2008- )
Swerc - Bass (2008- )
Fjildslach - Drums (2005- )


Lugubre (Nld) - Anti-Human Black Metal


Line-up:
Hermit: vocals
Striid: guitars
Jezelzweard: bass
Kriich: drums

Tracklists

  1. Intro
  2. Decreasing Of Human Population
  3. Crush The Messenger Of Light
  4. Blitzkrieg
  5. Nuclear Counterstrike
  6. Smashing The Traitors
  7. Down There... (Beherit cover)
  8. Depopulate This World
  9. The Final Solution
  10. Blood Must Be Shed
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Supreme Ritual Genocide
Tracklist
  1. Chaoskult
  2. Enslavement
  3. Musterd Gas Ambrosia
  4. Exterminate
  5. Blade to Blade
  6. Twilight of the Weapon
  7. Via Negativa
  8. Supreme Ritual Genocide
  9. Seperation of the Flesh
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PostNecrum


Project beginning in late 2001, taking its first presentation on April 6, 2002, with Alberto Cervantes (vocals), Humberto Mendez (bass), Alberto Medina (guitar), Christian Garcia (keyboards), Whilhem Cásarez (drums). From there it begins to have endless presentations both along Zacatecas as in the states of Mexico City, Monterrey, Jalisco, Aguascalientes, Coahuila, San Luis Potosi, etc.Teniendo great support from the public. The band recorded its first demo in 2003 entitled "POSTNECRUM", which contains 8 tracks. Then he returned to record a second material 3 tracks which were incorporated into the disk Zac Attack, which was produced by a coupled AMERICAN LINE, taking much success nationally and internationally. Currently Postnecrum concluded its third production entitled "ESTRUENDO DE LEGIONES" in 2007, which consists of 10 tracks. Taking presentations alongside bands recognized nationally and internationally as are Rata Blanca (Argentina), Angeles del Infierno (Spain), The Killing (Argentina), BRUJERIA USA) and ASESINO(USA), among others. Now under new alignment 2008: Alberto Cervantes (Lord Necrum, vocals), Daniel Cervantes (Leinadh, guitar); Lucio Marquez (Jongleur, guitar); Humberto Mendez (Honin, bass); Wihlhem Cásarez (Whilhem Samael, keyboards) Michelangelo (Nomurag, drums) and as a new member Cristina Garcia (Elizabeth, soprano). Thanks to all the musicians who contributed to the group POSTNECRUM!

Postnecrum significa después de la muerte en el idioma latín. Esto referido a que siempre ha sido y será la gran incógnita para el hombre, qué pasará después de la muerte.
Banda que se forma en Marzo del 2002 teniendo su primera presentación el 6 de abril del 2002, con Alberto Cervantes (voz), Humberto Méndez (bajo), Alberto Medina (guitarra), Cristian García (teclados), Whilwhem Cázarez (bateria). Actualmente la alineación es la siguiente: Alberto Cervantes (Voz y coros), Cristina García (Soprano), Lucio Márquez (Guitarra), Daniel Cervantes (Guitarra), Humberto Méndez (Bajo), Whilhem Cázarez (Teclados) y Miguel Orozco (Bateria).
A partir de ahí, se comienza a tener infinidad de presentaciones a lo largo del estado de Zacatecas como en otros estados; Distrito Federal, Monterrey, Jalisco, Aguascalientes, Coahuila, San Luís Potosí, Chihuahua, León Guanajuato, Guadalajara, Toluca, Durango, etc. Teniendo un gran apoyo y aceptación por parte del público, además de alternar con bandas de importancia nacional como EL Haragán y compañía, Lord of darkness, Banda Bostik y Sam Sam, Anlace, Winter Moone e internacionales como Rata Blanca de Argentina, Brujería de los Ángeles California, Mantra de Costa Rica, Espécimen, Leprosy, Charlie Montana, Ángeles del Infierno de España, The Killing de argentina y Asesino de los Ángeles California además de compartir escenario con muchas bandas locales.
La banda grabó su primer disco en el año 2003, titulado Postnecrum, el cual contiene 8 tracks. Posteriormente se grabó un segundo material de 3 tracks los cuales se incorporaron en el disco Zac-Attack que fue acoplado producido por American - Line teniendo muy buena aceptación nacional e internacional. Postnecrum concluyó su primera producción profesional titulada Estruendo de Legiones liberado en septiembre de 2007, el cual consta de 10 tracks editado por el sello discográfico American - Line, actualmente Postnecrum esta en proceso de composición de lo que será su segunda producción.


PostNecrum
Tracklist

  1. Intro
  2. Necrofilia
  3. Catarsis
  4. La Batalla Final
  5. Cristo Lucifer
  6. Una Vos en el Silencio
  7. Postnecrum
  8. Eterna Oscuridad 

Estruendo de Legiones
Tracklist
  1. Intro
  2. K´in Ich Ahau
  3. Resurrección
  4. La Batalla Final
  5. Estruendo de Legiones
  6. Katum
  7. La Guerra ha Comenzado
  8. Através de las Llamas
  9. Sacrificio
  10. Necrofilia

Burzum





Hola a todos aca les traigo algo recien salido, de la gran banda ona man noruega Burzum.

Aca les dejo un escrito de Varg Vikernes acerca de Belus su nuevo album:Han pasado 11 largos años y ahora el mundo verá el regreso de Burzum. El muy esperado nuevo álbum se titula “Belus”, el nombre de la deidad solar de la antigua Europa del Este y de la inocencia. “Belus” no es un álbum religioso o anti religioso, ni es una cuestión política, sino un intento de explorar los mitos acerca de Belus y desvelar las más antiguas raíces de nuestro patrimonio cultural. Las ofertas de los álbumes con la muerte de Belus, su viaje a través del sombrío reino de la muerte y su regreso magnífico. En esencia, el álbum y la historiade Belus pretende ser una historia divertida de algo que una vez jugó un papel importante en la formación y la configuración de Europa.
“El álbum ha sido compuesto de acuerdo con mi corazón y espíritu, y no intentando adaptarse a cualquier género o categoría, o de estar a la altura de las obvias expectativas de nadie”. La música puede compararse mejor con la de algunos de los viejos álbumes de Burzum, en particular, el innovador “Hvis Lyset Tar Oss” y la brillantez atmosférica de “Filosofem”, sólo las partes ambient presentes en estos álbumes han sido casi completamente dejadas de lado en “Belus”. “No hay ninguna razón especial para esto, aparte de la coincidencia y el hecho de que desde hace algún tiempo hacía más y mejor música en la guitarra que en el teclado”.
“La inspiración para el álbum ha venido de una variedad de fuentes, de los cuentos de hadas y los mito s, de la música clásica, de la música tradicional, de la fantasía, del viento y del tiempo, de lo más profundo los bosques y el agua corriente, de el cielo y la puesta del sol, de las Montañas Nubladas y amarillo de las hojas caen de viejos árboles “.
“Mi cometido con “Belus” es crear algo que yo (y espero que otros también) se puede escuchar durante años y años sin cansarse de él, y al mismo tiempo compartir con el público la experiencia de conocer a Belus, como podía haber sido percibido por los antiguos europeos “. La combinación de letras y la música hacen de este un cuento de hadas diferente de la mayoría de los otros, y debe apelar a todos aquellos que gustan de la música y el amor trascendental, de ver las cosas diferentes desde una perspectiva diferente. “Si puedo hacerte soñar al escuchar este disco, creo que he hecho un buen trabajo”.
“Soy consciente de la asociación de Black Metal con el nombre de Burzum, y no tengo ningún problema real o serio con eso, pero personalmente no veo razón para colocar “Belus” en cualquier categoría. Pienso que “Belus” musicalmente esta más allá de todas las categorías existentes , pero si tengo que elegir uno – y en aras de la simplicidad – Yo simplemente lo colocará en la categoría de metal “.
El álbum durará aproximadamente 50 minutos, conteniendo 9 canciones de metal y una intro y una outro ambientales, y con la totalidad de las letras escritas en noruego. El concepto del álbum explora los antiguos mitos europeos concernientes a Belus: su muerte, su etapa en el mundo subterráneo y su regreso.A pesar de expresar su disgusto con el estado del black metal noruego actual, Vikernes no intenta cambiar el estilo de esta música, indicando que el nuevo álbum se parecerá a Hvis Lyset Tar Oss y Filosofem.



Burzum - Umskiptar (2012)


Tracklist: 
  1. Blóðstokkinn (Soaked in Blood)
  2. Jóln (Deities)
  3. Alfadanz (Elven Dance)
  4. Hit helga Tré (The sacred Tree)
  5. Æra (Honour)
  6. Heiðr (Esteem)
  7. Valgaldr (Song of the Fallen)
  8. Galgviðr (Gallow Forest)
  9. Surtr Sunnan (Black from the South)
  10. Gullaldr (Golden Age)
  11. Níðhöggr (Attack from Below)
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Belus


Tracklist

1.Leukes Renkespill (Introduksjon)
2. Belus' Doed
3. Glemselens Elv
4.Kaimadalthas' Nedstigning
5.Sverddans
6.Keliohesten
7.Morgenroede
8.Belus' Tilbakekomst (Konklusjon)


Disfrutenlo...

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Burzum - Fallen


Fallen is the 9th studio album from Burzum,and follows the highly critically acclaimed 2010 release Belus which put Burzum straight back at the at the top of the chain as of one of the most innovative and creative metal artists of our time. Fallen follows Belus in sound and structure, and can also be compared to the music on the groundbreaking DET SOM ENGANG VAR. Fallen is more dynamic and hard hitting then Belus and has an even bigger sound, but still carries the same trademark melodic melody lines throughout that makes Burzum sound so iconic and unique.
Burzum says of the new album and his style of music:

"Musically FALLEN is like a cross between BELUS and something new, inspired more by the debut album and DET SOM ENGANG VAR than by HVIS LYSET TAR OSS or FILOSOFEM. The sound is more dynamic – we mastered the album as if it was classical music – and I was more experimental than I was on BELUS in all respects. Lyric wise it is similar to the debut album, in the way that it is more personal and focuses on existential issues, but the mythological underton
e known from BELUS is still there. I have also included some ambient tracks – a short introduction and a longer conclusion."

Tracklist

I. Fra VerdenstreetII. Jeg faller
III. Valen
IV. VanviddV. Enhver til Sitt
VI. Budstikken
VII. Til Hel og tilbake igjen

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From the Depths of Darkness


Tracklist: 
  1. The Coming (Introduction) instrumental
  2. Feeble Screams from Forests Unknown
  3. Sassu Wunnu (Introduction) instrumental
  4. Ea, Lord of the Depths
  5. Spell of Destruction
  6. A Lost Forgotten Sad Spirit
  7. My Journey to the Stars
  8. Call of the Siren (Introduction) instrumental
  9. Key to the Gate
  10. Turn the Sign of the Microcosm (Snu Mikrokosmos' Tegn)
  11. Channeling the Power of Minds into a New God

Para recordar épocas pasadas acá les dejos algunos álbumes de los inicios de esta banda.

Burzum - Hliðskjálf

Hliðskjálf is the name of Odin's throne.



Recorded during summer 1998. Varg used full keyboard sound instead of MIDI this time.
Though there are lyrics in the booklet, the music itself doesn't have any vocals. The text is to inform the reader about what the atmosphere su rrounding the songs themselves should be, or rather, what the songs should feel like in general.
Cover art by Tanya Stene.


Tracklist

1.Tuistos Herz
2.Der Tod Wuotans
3.Ansuzgardaraiwô
4.Die Liebe Nerþus'
5.Frijôs Einsames Trauern
6.Einfühlungsvermögen
7.Frijôs Goldene Tränen
8.Der Weinende Hadnur




Burzum - Filosofem




Recorded at Breidablik Studio in March 1993.



The more commonly familiar German tracklisting is as follows:

1. Dunkelheit

2. Jesus' Tod3. Erblicket Die Töchter Des Firmaments 4. Gebrechlichkeit I

5. Rundgang Um Die Transzendentale Säule Der Singularität6. Gebrechlichkeit II



However, contrary to popular belief, the more accurate tracklisting, as reflected below, is the "Norwegian Version," in which the translations of the song titles actually reflect the translations of the songs (for example, the Norwegian-titled tracks have Norwegian lyrics, the English-titled tracks have English lyrics). The song titles as they appear below are also exactly as they appear on the back of the booklet of the release. Common sense would suggest that the songs match the titles of the songs as they are printe d with the lyrics, and that the language would match the language in which the lyrics are printed and sung.
In fact, Varg even mentions in an interview how "the real title" of the first track is Burzum, and that Dunkelheit is merely the German translation. This is reflected in the following quote: "The "Filosofem" ("Philosofem") album: this album contains the first real Burzum track, titled "Dunkelheit" on the album (but the real title of the track is "Burzum". "Dunkelheit" is just the German translation of "Burzum"), that I originally wanted to include on the "Hvis Lyset Tar Oss" album (but the recording was very poor, so I didn't use it). I changed the name to Burzum from Uruk-Hai when I made this song (I think in August 1991). The album is a bit weird, and far from perfect, but it is okay. Unfortunately, this is the album that sounds the most like the new Burz um music."


Tracklist

1.Burzum
2.Jesu Død
3.Beholding the Daughters of the Firmament
4.Decrepitude I 07:53 [view lyrics]
5.Rundtgåing Av Den Transcendentale Egenhetens Støtte
6.Decrepitude II




Burzum - Burzum




Promo released in February 1992 by DSP on tape to promote the debut album. Both of the tracks are the same as those on the "Burzum" album from 1992 - although varying sources seem to disagree on whether there were changes made to the mixes or not.

Tracklist:


1.Feeble Screams from Forests Unknown
2.Ea, Lord of the Depths


Burzum - Det Som Engang Var

Tracklist
1. Den Onde Kysten

2. Key to the Gate

3. En Ring Til Aa Herske

4. Lost Wisdom

5. Han Som Reiste

6. Naar Himmelen Klarner

7. Snu Mikrokosmos Tegn

8. Svarte Troner



Burzum - Dauði Baldrs

Tracklist

1. Dauði Baldrs

2. Hermoðr Á Helferð

3. Bálferð Baldrs

4.Í Heimr Heljar

5. Illa Tiðandi

6. Móti Ragnarokum




Huruk- Hai (Demo) 1988

Unas de la bandas formadas por Varg.

1/5/12

Liturgia


It seems a long time since Ctesias and I begin to rehearsal in my parent’s house. It’s been a while, only ten years back, in 1992. Ctesias came from a band formed by him called Mortandad, he joined with a drummer and came to me in order to play bass, I accepted although I had my own death metal project called Ataraxia. At this time we decide to call the band Liturgia (what a name¡¡¡¡¡¡). Immediately we began to rehearsal with the firm intention to record a demo, and the first opus see the light in April of 1992. It was called Sanctum Regnum. The recording of this blasphemy was made in a home studio from a friend, we finished all drunken, and it was a boozy work. This demo, quickly became in a reference point, and receives great reviews and comments. It was so raw, so slow, in the present days, I consider it a jewel. It was the really beginning. We began to travel all the country, made some gigs, and some good metal friends. Cali was the place that received our work in a very devoted way. So many things happened along the way, and in 1994 we prepared for the second coming, In Perpetvvm. We rehearsal so hard for this, but due to my professional occupations, I had to move away temporally.
A guest bass player played my parts in the recording of this master opus, two raw tracks of pure slow doom, the classical impure In Perpetvvm and a side b called Liturgy. This 7 ep was recorded in Medellín and we had the great backing vocals of Alex Oquendo from Masacre. This ep was a high point in our career, I returned not to play bass, I assumed as lead guitar player. The gigs didn’t wait for us and was time to tour; we play all along the country again and then in 1996 came the opportunity to play in another country... Ecuador. What a great people. They received us so well. The InPperpetvvm ep sold out. For that time, we were four members in the band, and we decide that Ctesias should leave the guitar to be devoted only to the screams, and to include a new guitar player... a previous drummer bring us to Sycorax. It understood at first sight. The evil flowed easy.
We began to compose the tracks for our debut CD. We decide to call it Veritatis Splendor, as you will see all our works have latin titles. We recorded it in Manizales in the middle of 1998, whit the collaboration of Dilson diaz from La Pestilencia. It was a hard work, but great result to see. We signed with Decade Records, and our first CD saw the light in October 31 of 1998. It was time for the big leagues; we play with great bands as master, and rotting christ, and of course, great Colombian bands as Masacre, Tenebrarum etc. The evil grow high and we prepare our masterpiece, rehearsal so hard, so few know how hard has been the road. Penumbral came to us and Sycorax toke a break in the keyboards duty. Penumbral was the missing piece in the puzzle. The crows began to fly in October of 2001. We recorded corvi et cygnes, our 2nd CD in Medellín in El Pez studios, with the great collaboration of Jorge Ceballos, and well you hear how it sounds. The first time we heard the entire finished piece, the only fucking thing that sound was amazing. I’m so proud of this work, and I considered it our great contribution to the scene. Alex Barrera of Necrodeath came to us and we signed in a time of storm, but there some things that don’t deserve to be mentioned.
Our second CD was out, so many thing had happened, so many people had talked, was the time to open for great bands as Master, Rotting Christ, Cradle of Filth, we appeared in some compilations in south America as NAHUEL IV, From Colombia With Hate, Infected Voice, Necrodeath, beside bands as death, Dimmu Borgir, Old Man’s Child, Mastifal, etc.
Then so many musicians passed but we have to prepare our 3rd attack. We decide to made a tribute to the ancient cult bands from our country in a CD called IN NOMINE PROFANA, we amalgamate old raw track from bands as Masacre, Reencarnacion, Parabellum, Neurosis, Blasfemia, Darkenss, Lluvia negra, and we remake a song from our demo called Apocalipsis, that song only kept its lyrics, all music was made new. This work was released in a Digipack deluxe presentation, and this time let us open for bands as Ancient from Norway. This year we ha we a new line up with a furious blood, and we have the chance to stand up in great scenarios as the Jorge Isaacs Theater, we also played in the Manizales grita rock festival, there are great things coming. Just keep in touch.

In Nomine Profana

Tracklist:
  1. Intro
  2. Apocalipsis
  3. Sepulcros En Ruinas (Masacre Cover)
  4. Metalero (Darkness Cover)
  5. Postmortem (Blasfemia Cover)
  6. Bienvenida Muerte (Lluvia Negra Cover)
  7. 666 Engendro (Parabellum Cover)
  8. La Profecía (Neurosis Inc. Cover)
  9. Funeral Del Norte (Reencarnacion Cover)

Inquisition



Saludos a todos, acá les traigo esta gran banda de Balck Metal Colombiana, formada en 1989 por Dagon, quien la inicio como una one man band hasta 1996 cuando Dagon se traslado a Estado Unidos en donde conoció a Incubus, el cual se convirtió en el baterista de la banda en esa misma época. Inquisistion es una banda con sonidos crudos pesados haciéndola una banda conservadora de la esencia del Black Metal old school.

A continuación fragmentos de una entrevista hecha a Dagon en 2008 cuando regreso a Colombia para dar un concierto.

Cercanos a sus 20 años ¿Podríamos considerar ésta gira como celebración?
Pues nada en especial, inclusive, a pesar de estar aquí sólo en el teléfono tengo una sonrisa como de sorpresa, porque yo, aunque ustedes no crean yo no llevo la cuenta, yo de vez en cuando aterrizó, pongo los pies en la tierra y pienso “ Yo formé esto en el 89 y lleva tantos años” . Más bien no quisiera no crear algo en especial por los 20 años de existencia. Yo más bien quiero para Inquisition, que sea una banda realmente no sea sinónimo del tiempo. Algún día, serpa vista como una banda clásica, pues excelente, pero realmente nunca he tenido planes de celebrar 5, 10 o 20 años o lo que sea. Más bien lo especial es lo que pueden espera en esencia, porque estamos tocando mejor que nunca, vamos tocar varios temas que nunca han escuchado en vivo, más que todo de cada álbum, del 98 hasta ahora. Mucha gente no le llama la atención lo que hemos hecho. Los temas del nuevo trabajo son extremadamente fuertes.

¿Qué existe detrás de Inquisition?

Realmente nada en especial, más bien Inquisition es tradición, lo quiero aclarar ante muchas personas que no entienden la sencillez o la no complicación en escenario. Igual Colombia es una cultura diferente en el metal, cada país tiene su esencia. Basados en Colombia en varios aspectos, verán ahora un tremendo contraste. Hacemos mucho con poco. Por eso nos va también en Europa o en otros países y llevamos tantos años en el desarrollo del metal grande. Es recordar nuestras raíces. De pronto eso es lo especial de Inquisition. Una guitarra, una batería y una voz, es hacer lo que se pueda con lo menos posible.

Un consejo para quiénes siguen sus pasos.
Diré lo que hemos hecho. Es simplemente es hacer 100 % lo que deseen hacer. Nunca se adapten a una escena. Cuando lo intentan pierden la originalidad que hubieras podido brindar. Cuando me vine a USA y me dije “Estoy alrededor de bandas buenas, de ligas grandes, posiblemente iré a Europa a algún día y para eso tengo que estar al día, hacer lo que tengo que hacer con mi guitarra y hacer buena música. No llenarme de tensiones ni ver esto como una competencia. Ese es el consejo más grande que puedo dar, en el arte esto no sirve. Nunca pensarlo. En vez de pensar en la competencia deben pensar en componer canciones muy buenas, extraordinarias. Si lo haces de otra manera, pensando en ser el “mejor” baterista o guitarrista, hace que pierdas esa pasión y la esencia en la música. Dejar que mis oídos guíen el sentimiento de la composición y no el aspecto técnico. Pienso eso en segunda medida. Ser quién eres, como persona y en todo aspecto. Hemos tocado con centenares de bandas en cuanto a blackmetal o deathmetal y a comparación con otros países en Colombia existe un sonido muy único que debería desarrollar más. Tienen mucho que ofrecer. Si alguna banda llega a salir a tocar en un festival, sean lo más crudo porque eso lo aprecian mucho, es algo exótico.


Invoking the Majestic Throne of Satan



Tracklist:

1. Embraced by the Unholy Powers of Death and Destruction
2. Enshrouded by Cryptic Temples of the Cult
3. Kill with Hate
4. Rituals of Human Sacrifice for Lord Baal
5. Invoking the Majestic Throne of Satan
6. Hail the King of All Heathens
7. The Realm of Shadows Shall Forever Reign
8. For Lucifer My Blood
9. Imperial Hymn for Our Master Satan
10. Outro