Saludos a todos los visitantes de Black_Socciety. Feliz Fin de Año. Esta sera la ultima publicación del blog y para ello he decidido seleccionar, según mi criterio al mejor álbum de Black Metal del 2011. Para ello me puse en la ardua pero gratificante tarea de escuchar, no todos, los álbumes del genero salidos este año. La lista era extensa pero es mi genero favorito. Después de escuchar y tener en cuenta la capacidad de atracción que provocaba en mi el álbum (teniendo en cuenta que como mínimo el 50% de las canciones incluidas en el álbum debía gustarme). Por ello el titulo del mejor álbum del año se lo otorgo al álbum VADA de la banda de Belarus
Door Into Emptiness. Por sus poderosos riff de guitarra, sus voces profundas y cargadas de la energía propia del black metal y eso manejo de batería entre rápido y pausado que hacen a cada canción única. Felicidades a ellos, agrego que es el primer Full-length de la banda.
Espero el próximo año nos sigan deleitando con su música. Si queréis escuchar el álbum, en esta pagina lo podéis encontrar. Feliz fin de año para todos.
30/12/11
23/12/11
Altar of Perversion
Interview done in october 1999
In the beginning there was a band called Dark Lust so far, which style
was a kind of dark death metal who released a demo, back in ’92… the band
splitted-up, and the vocalist decided to form another act putting with him the
drummer and one of the two guitarists… the name chosen was Necromass! So after
the releasing of a 7” Necromass changed line-up and from that moment that
guitarist (Seth) and drummer (L.C. Blast) closed themselves into the abyss…
Where they have gone??? Are they dead now??? …The abyss’ gate re-opened… Their
monicker is now Altar of Perversion and they play nothing but wicked black
metal!!!
And here is an interview with Seth (gt + vc) done in october ’99, some
time after the listening of their first demo named “The Abyss’ Gate Re-opens”
(ok, maybe this interview is a little bit old (but not obsolete) but I don’t
give a damned fuck!)… simply beautiful acabre!
Vanish: The first question is fairly superficial: in what period and what circumstances Altar of Perversion has been formed?
Seth: The first incarnation came as Forgotten Stars, before and after mine and
L.C. Blast’s involvement with Necromass in ’93 e.v. (“His eyes” 7”), but it was
more a project of mine back then, with L.C. Blast as session, that didn’t go anywhere
for lack of worth members to join and money. The real beginning was in ’97 e.v.
when in spite of money problems still being there, we managed to find a
bass-player; I decided to do also the vocals, changed the name into Altar of
Perversion and we begun to rehearse. That bass-player soon revealed to be only
a stupid average, trendy human, thus he was kicked out and replaced by Rexor,
you know the rest of the story.
Vanish: From what bands do you personally took inspiration in the composition of the songs featured on “The Abyss’ Gate Re-opens”?
I never take direct inspiration from other bands for the composition of
our songs, the whole process is far more complex and deep. When the lyrics are
about some personal experiences I will concentrate on that and try to invoke
the atmosphere that I was breathing during that certain experience, to put it
out translated in the form of Black Metal. In other cases both the music and
lyrics can be a consequence of each other, then being the consequence of
something else as well, but your question is not about this so I’ll not go too
deep into it. Anyway I’m aware that, unconsciously, some influences are there.
Vanish: Among the tracks, “Black Magickal Suicide” is undoubtely the
piece that strucked me mostly, both for musical and lyrical aspects: unless it
doesn’t deal with something of extremely personal, would you illustrate me its
text?
Seth: Yes, it is personal but if I wrote a text about it I can also
explain something: there are some details that are evidently exagerated and
some perverted imaginations as well; for the rest it described something real
that I have experienced and searched for (more or less unconsciously), being
killing my self (spiritually), a spiritual death that was my self-initiation to
darkest paths and more wisdom. Other details can be read in the lyric itself, I
won’t go deeper than this. The matter is anyway deeepened in other lyrics for
songs that will appear later.
more HERE
From Dead Temples (Towards the Ast'ral Path)
Tracklist:
- Shteitanhas
- The Wisdom of Evil
- Aeongrave
- Necromantia Sexualis
- Burningcoldvoiddemon
- From Dead Temples
- Behold the Altar of Perversion
- Carpathian Shadows
Taake
Hoest
is the creative force of the band; the rest of the lineup is highly unstable.
The
band was formerly known as Thule (1993-1995); Høst then changed the name to
Taake (the Norwegian word for "fog") in 1995 because he wanted the
name to reflect the genuine Norwegian spirit of his music and lyrics. It is
also a patriotic tribute to the fog that surrounds the seven mountains at his
hometown Bergen. "Høst" itself means "Autumn" in Norwegian,
referred to Høst's season of birth.
Vendigeit
is a project mentioned by Høst in interviews, about which very little is known.
Høst
was imprisoned in 2006 for unknown reasons. His label Dark Essence Records
reported that the prison sentence was only a few months.C. Corax (guitars on
Doedskvad and Bjoergvin) has also been imprisoned, though for a longer prison
sentence.
There
is a reason why Høst prefers his name spelled with an "oe" and not an
"ø". It is because he does not want to use the three letters æ,ø, and
å. This is a part of the whole Taake package
Tracklist:
- Nordbundet
- Motpol
- Hordalands Doedskvad 1
- Over Bjoergvin graater Himmerik 4
- Nattestid ser Porten vid 1
Pestilentia
Genre: Black Metal
Country: Belarus
Year: 2011
Pestilentia - Rotten (2011)
- Rotting Flesh of God
- Pestilential Blessings
- For I Am Death
- Purification Comes Before Enlightenment
Etiquetas:
2011,
Belarus,
Black metal,
Pestilentia,
Rotten
Dystopia Nå!
Emerging from
North-Atlantic city of Oslo, Dystopia Nå!, a force of muttered urban despair
and displacement reveals itself through a manifold of various musical aspects
and creativity.
Line- up
K. - Vocals,
guitars, keyboard, S. - Guitars, bass, vocals A. - Drums, programming, vocals
Influences
Altar of
Plagues, Grey Waters, Shape of Despair, Mar de Grises, Explosions in the Sky,
Ved Buens Ende, Jesu, Austere, Lantlôs, Líam, Orakle, Arcturus, Negura Bunget,
Godspeed You! Black Emperor, Shining (SE), Neurosis, Isis, Ansur, Gojira, Dolorian,
Pyramids, etc
Syklus
Tracklist:
- Vemod
- Av Piller og Idioti. Den Evinnelige Forlystelse
- I Metropolens Favn. Grasoner og Vinterreduksjon
- God Morgen, Dystopia. Drommer...
- Neon. Tap, og Scener I Retrospeksjon
- Oslo S / Barn av Lerret (Del I). Bundt, full og Udugelig
- Kollaps. Vendepunkt
- Barn av Lerret (Del II). Bortkommen, tom og Parat
Etiquetas:
2010,
Depression,
Depressive Rock/Black Metal,
Drugs,
Dystopia,
norway,
Oslo,
Syklus
6/12/11
End
Name: End
Génre: Black Metal
Country of origin: Greece
End III
Imagine the furious excitement, anticipation and
satisfaction that Hitler was feeling as he pressed the ‘on‘ button of the first
Jew hoover and began to see his plans, however nefarious, take shape. I felt
the same about this album upon learning of it early this year!
The fact that I hadn’t toiled to create the album or
put my own thoughts or talent into it probably means that my feelings were
slightly less intense than either Hitler of End.
Anyway I couldn’t wait to hear it and within minutes
of the CD hitting the floor below my letterbox it was inserted excitedly into
the player. Thankfully, unlike the drug addicted and power crazed Fuhrer
we haven’t had to wait 21 years for the next installment of End’s evil.So with
all the instant chaos and noise of the dual cyclone Jew buster, End plunge
recklessly into Catastrophe like an invasion of Poland; without warning and
with devastating speed.
The first thing you’ll notice is that it sounds tons
heavier and much cleaner than 2003′s II and much more aggressive. Quite what
they’ve been doing for 6 years is now brutally obvious: refining and improving
their technique, delivery and sound. The vocals tear shreds into the air around
you mixing up painful sounding screaming with deeper more guttural bellowing.
The song rides a wave of intense negativity that builds savagely towards the
end.
‘Self Eating Mass’ drops the tempo a couple of
notches.It’s good to see song titles that are imaginitive and thought provoking
these days, in the face of an overdose of Satan hailing. The momentum from
track 1 is upheld despite the brakes being applied. Until about half way
through when it get a bit soft, slow and floppy with picked guitars (still
distorted) and grumpy bickering singing. This goes on for the rest of the song
for some reason and seems a bit pointless other than to add atmosphere that it
dosen’t really need.
However, ‘Still In Flesh’ makes you forget that with a
massivley melancholy riff reminiscent of some of Watain’s finer moments. It is
dark and depressing and would fit well into an independant movie. It picks up
later on with a sudden shift back to aggression, made most welcome by the first
part of the tune and finishes in a catchy flurry.
I’m all for experimentation and think that bands need
room to explore different shit but ‘In The Womb of Sick’ took me totally by
surprise. The opening section doesn’t sound much like Black Metal even though
there are some good riffs in it. It gets better but feels like a song they just
threw together. Next up is ‘Lavish Gloom’ which is a stompy affair to begin
with but also feels a bit like an outstretched arm to mainstream acceptance
with the last 2 minutes comprising of relatively nicey nicey stuff.
‘Ugly and Bygone’ pulls it back together and is a good
solid song. ‘The Largest Hearse’ revs the CD back to normal with some good ol’
dirty foot tapping grimness and paves the way for the finale entitled
‘Megalomania’ which is just as exciting and satisfying as the opening track.
This really saves the album in my opinion because it could have gone horribly
wrong and been sucked into the same internment area as Satyricon and Keep of Kalessin.
I only hope that End don’t fall into that on their next album.
Like Hitler, End have had some good ideas and some not
so good ones and hopefully neither will result in a world war or genocide
although you can never be 100% sure of that. III is a good
album. Well written and produced and I’m sure it will push End up the list of
accomplished bands of the latest wave of Black Metal and is well worth checking
out.
Written by: Waffen
Tracklist:
- Catastrophe
- Self-Eating Mass
- Still in Flesh
- In the Womb of Sick
- Lavish Gloom
- Ugly and Bygone
- The Largest Hearse
- Megalomania
Etiquetas:
Black metal,
Chaos,
End,
End III,
Greece,
Misanthropy,
Nature
Uruk-Hai / Mhnunrrn
Name: Mhnunrrn
Génre: Black Metal
Country of origin: Czech Republic
Mhnunrrn is a one-man raw black metal band from the
Czech Republic, founded in 2010 by Klat Ba (Holomráz, Fonnia, ex-Trist (Cze),
ex-Deep-pression). The name Mhnunrrn is based on prehistoric runes and is in
the eyes of Klat Ba a word for success and satisfaction. The logo is simply a
calligraphic record of this word, created by Klat Ba himself. Klat Ba is, next
to a musician, also a painter and a graphical artist.
&
Name: Uruk-Hai
Génre: Dark Ambient
Country
of origin: Austria
Founded in 1999, Uruk-Hai is a dark ambient band from
Austria highly influenced by the works of J.R.R. Tolkien. The band is named
after an advanced breed of orcs from Tolkien's Lord of the Rings trilogy.
Alexander "Hugin" Wieser, founder and only member of Uruk-Hai, is
also the owner of W.A.R. Productions.
Uruk-Hai / Mhnunrrn
Uruk-Hai/Mhnunrrn is a split album by Uruk-Hai and
Mhnunrrn, released by the French label Le Crépuscule Du Soir Productions in
June 2010. The release features three tracks by Uruk-Hai and a single 20-minute
song by Mhnunrrn.
Tracklists:
- Uruk-Hai - The Fate of Man
- Uruk-Hai - Lebensende:Winter (Different Version)
- Uruk-Hai - Gil-galad (Remastered Version)
- Mhnunrrn – II
Etiquetas:
2010,
Atavism,
Black metal,
Mhnunrrn,
Primeval Ages,
Split,
Uruk-Hai
Drudkh
During all its history, the band followed a 'no
photos, no interviews, no website, no gigs' policy, which was nobly accepted by
Drudkh's new label Season of Mist. The absence of any comments or information
from Drudkh's side gave an opening to a few ignorant internet warrior-fans to
spread rumors, that the band embraces extreme political views. This is
absolutely misleading and a total profanation, since there is nothing in
Drudkh's music or lyrics that would suggest any political outlook. Drudkh
praise individualism, self-improvement and estrangement from modern values.
On some of their albums Drudkh
uses the lyrics of Taras Shevchenko and some other Ukrainian poets.
Drudkh means ''wood'' in
Romanised Sanskrit.
Drudkh doesn't support any
extreme ideology and declares itself as a non-political band.
Лебединий Шлях (The Swan Road)
Tracklist:
- 1648
- Вiчне Сонце (Eternal Sun)
- Кров (Blood)
- Заграва 1768-го (Glare of 1768)
- Цiна Волі (The Price of Freedom)
- Доля (Fate)
- Дума про Руйнування Сiчi (Song of Sich Destruction)
Etiquetas:
Black metal,
Drudkh,
Heathen Poetry,
Kharkiv,
Nature,
Slavonic Paganism,
Ukraine,
Лебединий Шлях (The Swan Road)
29/11/11
Defuntos
Defuntos es una banda portuguesa de black depresivo con algo de doom metal. Algo importante de esta banda es que su sonido es profundo y expresan todas esas emociones del alma. Acompañado con letras que giran en tono a la Muerte,el sufrimiento,la tristeza, y la nostalgia.
Con solo dos integrantes: conde J y conde F Defuntos ha hecho diez albumes en solo seis años de trayectoria.
Luto
Perpétuo
Tracklists:
- Mórbido Padecimento
- O Derradeiro Beijo... Do Morto (A Visão da Tragédia, Capítulo IV - A Saudade)
- ...A Tua Voz...
- Algarve Esquecido
- Dentro de um Corpo que era Teu...
Etiquetas:
Defuntos.,
Depressive Black Metal,
doom metal,
Luto Perpétuo,
portugal
28/11/11
Darkestrah
Current
Line-Up:
Kriegtalith - Vocals
Resurgemus -, Guitars, Synths
Asbath - Drums, Percussions
Resurgemus -, Guitars, Synths
Asbath - Drums, Percussions
Guest Appearance:
Helvete: Bass
Benjamin Hoffmann: Guitar
Sharthar - Cello, Keyboards (studio only)
Benjamin Hoffmann: Guitar
Sharthar - Cello, Keyboards (studio only)
Past members:
Oldhan - Guitars, Bass, Vocals
Tartar - Guitars
Anastasia - Keyboards
Shagan - Guitas
Anti - Guitars
Tartar - Guitars
Anastasia - Keyboards
Shagan - Guitas
Anti - Guitars
DARKESTRAH
formed in mid 1999 by Asbath in Bishkek/Kyrgyzstan. The first demo, entitled
'Pagan Black Act' was recorded in December 1999. In December 2000 the second
demo 'Through the Ashes of the Shamanic Flames' was recorded and released
through german label Curse of KvN Sadistic in 2003.
In February
2003 the debut album 'Sary Oy' was recorded, which gained a wide response
worldwide through NCR in 2004. Great melodic parts were paired with traditional
instruments like Kyl-kyjak, Komuz or Sygyt. Female Black Metal vocals and
throat singing that created the atmosphere of the spiritual shamanic people.
Sary Oy lyrically brings the ancient Kyrgyz tales about three sisters of nature
in three songs. This record marked Darkestrah's as one of the most interesting
bands within the Shamanic Pagan Black Metal genre.
In September
2004 limited MLP 'The Way to Paganism' was recorded and released on NCR in
2005.
In August
2005, 'Embrace of Memory' the 2nd album was recorded in Blue House Studio, and
the final work, 'Embrace of Memory', was released in October 2005.
In January
2007 we released the 3rd album "Epos". This time we changed studio
and now this is the "Kick the Flame Studio' (studio of the member from the
band Disillusion). This album included one magic long Black Metal composition
at the medium tempo with some acoustic tunes and the atmospheric feel. This
'Epos' is completely dedicated to our beloved lake Issyk-Kul', which is located
in Central Asia. There are more than ten legends, histories, myths and fairy
tales about this lake. Every aspect of Epos signifies a spiritual, almost
pre-historic journey. The album is thick with Pagan themes, but it is not done
in a way which seems almost cliche in Black Metal these days. Darkestrah’s
approach to pagan expression this time has been one of using subtlety to convey
power of expression.
In March 2007
Darkestrah have ended the relationship with NCR and one month later we signed
with the US label Paragon Records.
March 2008,
DARKESTRAH has finished the recordings for the new studio album "The Great
Silk Road" and the final work, was released in August 31, 2008 through
Paragon Records.
In February
2011 the band signed to French label Osmose Productions. This is without a
doubt the beginning of a new era for the band.
Khagan
Tracklists:
- Saga of Temudgin
- Onon River
- Khagan
Etiquetas:
1999,
Darkestrah,
Epic Black Metal with Folk,
Khagan,
Paganism
Dark Essence
Dark Essence inicia en el
mes de Febrero del 2008 en Armenia, Quindío, con Esteban Beltrán (voz) y Jorge
Mogollón (Guitarra, Bajo y Batería) con un Black metal influenciado por bandas
como Limbonic Art, Tártaros, Enthroned, tristitia, entre otras. Para el mes de
Septiembre Esteban deja a un lado la banda quedando con la Labor de hacer las
líricas, y entra como vocal Cristian Garzón con esta formación la banda entra a
estudio a grabar su primer Ep “Anhelos De Un Macabro Lamento” en Mastersound
Studio, de la ciudad de Armenia.
A inicios del 2009, ingresa Iván Sánchez
(Guitarra Rítmica) Y Deivy Ramírez (Batería), consolidándose así la banda con
una formación estable y haciendo toques en ciudades como Pereira, Buga, Armenia
y Calarca. La banda ha rotado en emisoras de radio de ciudades como: armenia
(rock al 100), Manizales (rock sound) mostrando un potente y devastador black
death metal y en países como Australia en la emisora dark essence radio, y
también ha sonado en bares de la ciudad de Londres-Inglaterra, Estocolmo-Suecia.
Madrid-España. La banda ha tenido la oportunidad de compartir con grandes
bandas de la escena nacional y esto ha sido muy gratificante pues han sido
bandas con mucha dedicación y pasión por lo que hacen. En la actualidad la
banda consta de 4 miembros, 3 de ellos en escenario, y se encuentran realizando
los nuevos temas de lo que será su primer full length y próxima producción los
cuales serán algo mas cargados de agresividad, energía y técnica, además de
blasfemia y odio.
Anhelos
de un Macabro Lamento
Tracklists:
- Intro (Esencia Oscura)
- Bathory
- Tiempos de Gloria
- Lumen Aeternus Palam Acerbus
- Hijos del Mal
- Outro
Etiquetas:
Anhelos de un Macabro Lamento,
Armenia,
Black/Death Metal,
Blasphemy,
Dark Essence,
Darkness,
Evil,
Quindio
15/11/11
Avichi
This is the Theosophist concept
of hell, which is derived from the Sanskrit for "isolation." Although
a place of torment it greatly differs from the ordinary conception of hell,
chiefly because those who reside there have no physical bodies with which to
satisfy the fleshy desires that they are plagued with.
The Theosophical teaching on
which Avichi is based is the conception that people remain the same entity
after death as they were before dying. That is, if in life a person was
possessed by strong passions and desires then he will retain them in the astral
world. The desires then become unsatisfying with a physic body and turn into
anguished torments.
The manner of torments seems to
be infinite varying from the confirmed sensualist struggling with his desire of
the flesh to the ordinary person, while not burden be fleshy desires, who is
troubled by the thought that he gave too much attention in his earthly life to
worldly affairs rather than focusing on higher goals. This latter person is
thus doomed to regret his lack of attention toward higher objectives.
Avich is a place of regrets for
things done and left undone in the physical life. Its torments, however, are
not eternal, but will gradually subside after timeless durations of anguished
torment.
The
Divine Tragedy
Tracklist:
1. Entrance to God (instrumental)
2. Purification Within the Eighth Sphere
3. Messianic Deliverance
4. Phallic Insinuation
5. Prayer for Release (instrumental)
6. Taedium Vitae
7. Aeonic Disintegration (instrumental)
8. Separation from the Life Principle
h This is the first release by
Avich, and they directly come with a masterpiece, instead of several promotional
demos with crappy sound. Avichi is certainly a very promising band, armed with
a high intellect, and great musical skills. There is no band like Avichi.
Several elements make Avichi so
unique. Avichi isn't the first band dealing with occultism, but atleast
Aamonael knows what he's talking about. I'm tired of all the Black Metal bands
declaring war to the christians, yet there are no actions (with exception of a
sellected few bands). It's easy to create an evil sounding lyric, but it's not
easy to make it worthy aswell. Avichi's lyrics contain enough symboly and
obscure terms to make you think about it, and I think that this is exactly what
lyrics should do. After all, lyrics are an instrument of propaganda. Avichi
takes religious elements as a core, and covers it with layers of dark
vocabulary until a hateful, (anti-)religious and obscure entity results.
Nothing simple and laughable like "We rape christians. Hail Satan" to
find here.
Avichi also secludes itself
sound-wise. Fast guitar riffs and up-tempo drumwork gives the sound an
agressive feel, which certainly results in a great, dark and hateful atmosphere
in combination with the lyrics. The vocals are not like any other Black Metal
band I've heard, and I have been in the scene for quite some years, so that
should say enough. The vocals are low, a bit raw, and very intense. A
supernatural being vomits hell over the earth, and the sun will never shine
again.
The only element that prevented
me from giving 100 points for this release, is that the songs are a bit
monotonous. Certainly not boring at all though, but perhaps there could be a
bit more variation in the songs. The production of the music is absolutely
great though, so if Avichi just puts a bit more variation in the upcoming
release, I think it's very difficult to beat that. I concider this release the
best of 2007, so far.
Etiquetas:
2006,
avichi,
Black metal,
Chicago,
Darkness,
Illinois,
Metaphysics,
The Divine Tragedy,
Transcendence,
united stated
Arfsynd
ARFSYND is a Swedish one-man band
featuring a multi-instrumentalist Perditor. The debut self-titled full-length
was produced by the artist himself and mastered at the legendary Necromorbus studio,
so expect a unique and deep sound! Featuring a variety of tempos, sincere, dark
and haunting vocals, Perditor's exquisite and already well-known melodies,
ARFSYND follows a different yet just as noble path. Lyrics, entirely written
and performed in archaic Swedish, give this ARFSYND a special dimension, a
special feeling, which, the author felt, could only be manifested through the
use of his mother tongue.
Arfsynd
Tracklist:
1. Lifvets Usurpator
2. Blodsutgjutelse I Herrans Namn
3. Vid Syndaflodens Mynning
4. Flagellanternas Procession
5. Prisa Den Förtappade Flamman
6. Själamassans Ändalykt
11/11/11
Esbbat
A finales del año de
1996, se empieza a engendrar un proyecto en el cual, dos seres malditos
entregan su energía en composiciones de crudo y pesado metal, Azkaron en la
guitarra y Vampiric Corpse en la batería. Tras el pasar del tiempo en el año de
1998. Se une a ellos Fornicvs en la voz, ayudando a fijar el estilo musical e
ideológico de la banda. En el año de 1999 dos insanas mentes Vulkano en la
guitarra líder y Abatan en el bajo; se unen para completar así la primera
alineación oficial y es lanzado el primer demo oficial “NOCTURNAL RITES OF
EVIL” en el año 2000.
En el transcurso del
año 2000, Vampiric Corpse y Abatan deciden concentrarse en sus proyectos
personales. Con la salida de estos dos miembros la banda da un giro inesperado;
Fornicvs pasa a ejecutar la batería y la voz. Estas tres mentes insanas,
Vulkano, Fornicvs, Azkaron, siguen trabajando incesantemente hasta que se une a
ellos Belias ejecutando el bajo y la voz en vivo. Con la entrada de este ser se
completa la segunda formación de ESBBAT, y es lanzado el segundo demo “ABISMO
BAJO EL MUNDO” liberado en el año 2002.
A finales del año
2003, es grabada la tercera producción” DENTRO DEL ESBBAT”, contiene 10 temas:
Hail ¡ Mundo Infernal, Maligna Encarnación, Al Acecho, Hijos De Las Sombras,
Tormenta, Dentro Del Esbbat, Sacrificio, Evocación, Mátalo; con explosivos
riffs, poderosos golpes de batería, veloces punteos y malignas vociferaciones
llenas de oscuridad y maldad, con 38 minutos de duración, grabado en ATOM
estudio.
En el año 2004 as,
junto a la promotora italiana ABSTRACT PROMOTION, Se libera un PRE-lanzamiento
de 300 copias en versión CD industrial para el mundo. En este mismo año, ESBBAT
entra de nuevo a el estudio de grabación ATOM, para plasmar lo que será su
cuarta producción “LA ERA DE LA BESTIA”, que contiene ocho temas de un clásico
metal negro: El Palacio De Lucifer, Selva Negra, Magick, La Era De La Bestia,
La Montaña De La Muerte, Siniestra Rebelión, Ave Satanás, Salve Satanás, Reggie
Satanás, Hail Lucifer!, Hordas Negras, con 43 minutos de duración. ESBBAT se
radica en la ciudad de Bogotá e inicia una serie de conciertos a nivel nacional
al lado de bandas como : inquisition, enthroned, ancient, dark funeral, entre
otras y a la vez trabajando en la grabación de su tercer Cd " EL RETORNO
DEL IMPERIO SATANICO", contiene 7 malditos temas: El Amanecer De La
Muerte, El Eterno Triunfo Del Mal, El Llamado, Rey De Los Muertos, Muerte Al
Reino De Cristo, Oda A Lucifer, The Hymn Of The Satanic Empire, con 47 minutos
de blasfemo metal negro, grabado en abril del 2005,en los estudios EVIL INSIDE
(Bogotá). En el año 2006, después de una larga espera es lanzado de forma
oficial el Cd Dentro Del Esbbat producido por SYLPHORIUM RECS. Y ESBBAT se
realizan nuevas presentaciones a nivel nacional contando con el apoyo de nuevos
integrantes, kadath (bajo), Beltane (voces), Insano (guitarra líder).
En el año 2007
Azkaron, Fornicvs, Insano y Kadath graban la quinta producción de Esbbat
“FALSOS IDOLOS” en los estudios Line Up de la ciudad de Bogotá. En el mes de
noviembre de este mismo año es lanzado el segundo álbum Cd” LA ERA DE LA
BESTIA” producido por ESBBAT. En el actual año 2010 ESBBAT Se encuentra
promocionando “EL RETORNO DEL IMPERIO SATANICO” CD sellado con MIGHTY HORDES
PRODUCTIONS.
Dentro del Esbbat
Tracklist:
- Hail! Mundo Infernal
- Maligna Encarnation
- Al Acecho
- 666
- Hijo De Las Sombras
- Tormenta
- Dentro Del Esbbat
- Sacrificio
- Evocación
- Mátalo
La Era De La Bestia
Tracklist:
- Ave Satanás! Salve Satanás! Reggie Satanás! Hail Lucifer!
- La Montaña De La Muerte
- Oscura Selva
- El Palacio De Lucifer
- Siniestra Rebelión
- Hordas Negras
- Magick
- La Era De La Bestia
El Retorno del Imperio Satánico
Tracklist:
- El Amanecer De La Muerte
- Eterno Triunfo Del Mal
- El Llamado
- Muerte Al Reino De Cristo
- Rey De Los Muertos
- Oda A Lucifer
- Hymn Of The Satanic Empire
- Desde El Umbral (Demo 2000)
- Abismo Bajo El Mundo (Demo 2002)
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